

The day before, we had rain, which is an uncommon but welcome event in this dry country. Needless to say, we painted from indoors, but looking out at the view.
I chose pastel to do two small sketches. I was interested more in color and value than anything else. I worked especially on the cool reds and greens in the distant hills and the relationship to the warmer foreground greens. For the distant hills, I chose two pastels of the same value - a rather vivid red-violet and a blue-green. After blocking in the hills, I layered the complement of each over them to neutralize the rich color somewhat. I also used a bit of "real" grey to cool them down further.
For both of these pieces, I used the "Belgian Mist" color of the Wallis Sanded Pastel Paper plus the hard Polychromos pastels. Having the paper already toned a warm grey helped warm up and harmonize the cool, sometimes discordant colors I used in the underpainting.
Michael Chesley Johnson
www.MichaelChesleyJohnson.com
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