Friday, October 31, 2008
Tuesday, October 28, 2008
Betsey Nelson - Horse Study oil 9x12 NFS
As a participant in the recent Sedona Plein Air festival i had an opportunity to teach two workshops and talk with some established artist as well as beginning artists and all levels in between. I think the most common misconception that I discovered is that the less experienced artists all thought that reworking or continuing work on either a workshop piece or one of their past pieces was a good idea. All the experienced artists agree that this is a BAD idea a much better idea (with some exceptions of course) is to do another painting. Not all attempts are going to work and usually it is a much better idea to try again either with the same landscape or still life etc. or even an entirely new subject. The idea is the more you paint the more you learn and those ones that work should start to become more frequent. Everyone no matter what their skill level will create bad paintings once in awhile, and more often if they are commited to growing as a painter.
This study was just a search for information on how to paint a horse from life what to look for in the horse and the normal painting relationships i think all good paintings should have. When i had gotten that information i stopped. The study stands on its own as a study and for use when i need to do a painting.
Sunday, October 26, 2008
Friday, October 24, 2008
Yesterday, I headed off soon after dawn for Red Rock Crossing. I had one painting left to do, and I decided I wanted something with water and a tree. I'd painted my share of red rocks this week, and it was time to move on to a different subject. I found a quiet spot, and my only companions were a pair of fly fishermen who arrived at about the same time I did. I was tempted to include them, but I knew they'd make my 9x12 too busy. (Sorry, guys!)
Here's the painting. I've made it my number one choice for the show:
"Golden Majesty" 9x12, oil/panel
For sale at the Patron's Gala Friday evening (6-9 pm, L'Auberge de Sedona)
Thursday, October 23, 2008
Carol Marine - "Cooped Up" - 6x6in. - bid
I got these cool peppers in the last batch from the organic farm we get veggies from. They have oodles of personality. I love them. On another note, my husband has been in Houston the past couple of days which leaves me a bit cooped up in the house, with a 3 yr old. I love him to death but he's driving me batty! So that's him inside the cup, in time out, and that's me, outside the cup, trying my hardest to be patient. : )
Tuesday, October 21, 2008
Sunday, October 19, 2008
Betsey Nelson Arizona Strip 6x8 $350
This is the second small piece from an extended painting trip. Several pieces were done at this spot. It was a good exercise to see the changes as the sun was setting so that the changes could be noted and then pushed so the pieces could reflect the differences.
Wednesday, October 15, 2008
Tuesday, October 14, 2008
Carol Marine - "Big Red" - 6x8in. - bid
I've been doing a series of these beautiful, red flowers. I particularly like the red/turquoise color scheme and find myself using it for most of them. Red and turquoise are compliments according to the Munsell Wheel, which I first learned about in the Harley Brown book, "Eternal Truths for Every Artist" (no longer in print). It's a very interesting wheel.
Sunday, October 12, 2008
Friday, October 10, 2008
This was done on a painting trip with several other artists. To minamize the decision factor for picking the painting spots we decided that if one of us was interested in a view we would all paint at least a 6x8. The trip became a visual diary and we probably learned more doing lots of small quick paintings rather than only a few larger pieces and we probably took more chances knowing that it was 'just" a small painting.
Wednesday, October 8, 2008
Sunday, October 5, 2008
Carol Marine - "Line for the Show" - 6"x8" - oil - bid
I got these peppers from a farm share deal we participate in here (Austin). The taste is a bit zingy but they are great to paint! I really loved the colors, especially the bits of blue in the shadows. I get that effect from shining a spot light on my setup that has a yellow cast to it (even though it's a "daylight" bulb), and then having a bit of "white" light bouncing around, lightening up the shadows a bit and turning them blue.
Thursday, October 2, 2008
Wednesday, October 1, 2008
Betsey Nelson edona Fall Light 8x10 oil $460
With plein air festivals in full swing i thought a plein air piece was a good idea.
Even though Sedona's plein air festival held Ocvt.19th-26th will probably not have this silver light of late fall the light can change quickly so the best defense is thoughtful approach and though a quick painting, not a hurried one. Working too fast just multiplies your mistakes but, still we seem to need to learn that again and again.