Saturday, October 31, 2009
Roy Gould (artist)
Connie Willey (artist)
These are paintings done by two students who participated in two of the four plein air workshops that i taught. The first painting is an acrylic the second an oil. Due to unusually cold conditions we were forced to paint inside much of the workshop. Two days out of the four were warm enough to paint outside though for the way i teach it didn't really matter. All four workshops were full and all of the artists had a wonderful willingness to just go for it and try painting, thinking, seeing everything a bit differently.
These workshops were held in conjunction with the sedona plein air arts festival. and were all one day workshops.
Thank you to all the volunteer assistents for all their help and the m. graham paint company for providing the paint.
Please join us next year and through out the year as sedona arts center is always running day, two day, or week long or once a week classes in all media and all levels from beginner to advanced.
Wednesday, October 21, 2009
I am now down to the final days before heading off to Sedona for the Sedona Plein Air Festival (www.sedonapleinairfestival.com). Besides tying up loose ends, I'll be going through my painting gear to see what I absolutely must take, and what I can leave behind. What with today's air travel restrictions, the less luggage I can tote, the better. I dream of someday flying unecumbered with nothing more than the shirt on my back!
A few days ago, I took some local students out on a one-day painting adventure. Rain never seemed far off, but they braved the raw wind to paint. On the lee side of the island, I found a sheltered nook near the Upper Duck Pond where we could paint. I did the above 5x7 demo in pastel. Bad weather aside, it was a beautiful day for clouds!
- Michael Chesley Johnson
Thursday, October 8, 2009
Carol Marine - "Foggy Cows" - 6x6in. - sold
I was in Germany recently for 3 weeks. It was lovely but I got only one week of sunshine! After sulking a bit and feeling sorry for myself I realized I just had to get out in the fog and drizzle and make the best of it.
Wednesday, October 7, 2009
How do you depict peek-a-boo sunshine on the hills? Lately, here in New England and the Canadian Maritimes, we've had a lot of clouds. They make for some wonderful patterns of sun and shadow on the hillsides.
The trick with depicting this kind of sun and shadow lies in controlling the contrast of light and dark. We are so pulled in by the brilliant patches of sunlight that they seem brighter than they are. But if you paint them too bright, they will merge with the bright sky and no longer seem to be part of the hill. Also, watch the color temperature. Although there were some rich spots of fall foliage in this scene, they were cooler in temperature than sunlit trees closer by. As you can see in the painting, these were more of a red-violet than red or orange. To further enhance the light on the hills, I kept the foreground dark and mysterious. (9x12, pastel)
Friday, October 2, 2009
Betsey Nelson - End of the day UT 8x10 oil on canvas board $485
Returning to areas, photos, or still life set ups that you once dismissed as material for a painting is always a good idea. You may very well change your mind either because your eye is better trained or your palette more comparable to the scene now or your other skills have improved to be able to do the subject justice. Returning again and again through the years may also improve enlightening.