I ran into a situation the other day that exemplified this concept almost perfectly. Rather than slanted surfaces as the mid-darks, I had a distant, befogged treeline. The value of the treeline is close to that of the meadow, but still a bit lighter. You can see clearly how I've broken up the landscape into big, simple shapes and have kept my four values well-separated.
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"So Quiet" - Michael Chesley Johnson
9x12, oil, en plein air
$175 (unframed) + $5 shipping
1 comment:
Beautifully done and a good lesson.
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